The God Problem

The God Problem  |  Matthew 25:14-30

In the parable of the talents, we hear about three people who are entrusted with wealth. We know the story. It gave the English language the word ‘talent’ as we use it today—a gift or ability that one may use and improve upon, or not.

Two of the servants went off and doubled their money. When their master returned, he was very pleased with their use of what he had given them. The third servant, more conservative, or less bold, or perhaps afraid of his master, buried his money in a hole in the ground. It was safe when the master returned, but the man was not. For failing to use what the master had given him, the master took everything away and threw the man out.

Ok, we get the idea. Use your talents. We might not do it, in real life—we might be distracted, or busy, or afraid—but we really do get it. We understand that gifts are to be used. Not to use a talent is the same as wasting it, and hiding an asset away is no better than squandering it.CoinsfromJarVert

If we stop there, fine. We’re good with it. We’ve got a meaning we can apply to our lives. Fine. We can walk away.

There’s a problem, though. For all of us who walk away from this parable with a good grasp of the central point, at the back of our minds there’s a God problem. Sure, the guy who buries his one talent in a hole in the ground could have done better, but he doesn’t squander it, does he? He doesn’t go and spend it all. He keeps it safe, which isn’t nothing, right? And his reward? He loses everything. He is thrown out. With nothing. Not even with the one talent he had kept buried.

And there’s the God problem.

“Lord, I knew you, that you are a hard man, reaping where you did not sow and gathering where you did not scatter.” The master in the story does not deny any of it, and if the master in the story represents God, there’s our problem. Matthew seems to be painting a portrait of God as demanding, avaricious and cruel.

It’s not even the only time he does it. Try Matthew 22:1-14, the story of the king and the feast. (Here’s an earlier post on that story: Whims of God.) There Matthew gives us a king who’s vengeful and capricious, and once again the king represents God.

So what do we make of that? Did Matthew have God issues?

It is hard to reconcile Matthew’s images of a demanding, harsh master with the Johannine idea that God is love. (1 John 4:8,16)

Maybe we’re reading too much into it. Literally. The parable of the talents is just that, a parable, a story with a point. It is not an allegory, where each element represents something else, at least not completely.

We still see the figure of the master as telling us something about God. We just don’t like what it says. We especially don’t like it because we suspect that out of the three servants, we are most like the one stuffing his talent into a hole in the ground. We’d prefer a story where the master takes the moldy little coin, wipes it off, and praises the poor fellow for at least keeping it safe.

God does not meet our expectations. Matthew describes a God who acts in unexpected ways, outside our social norms, in ways that we find disturbing.

It’s unsettling.

That was the point. This entire portion of Matthew, starting with Jesus sitting in the Temple to teach, is about upsetting our understanding of God. It’s about undermining any complacency we may have about our notions of God.

If we made up the idea of God, if God were made in our image, then we could be happy with the concept. If God is just an idea that humans created, then we can change God, or even throw God out. Who needs to carry that kind of baggage?

FireCloudsIf we didn’t make God up, if God is really God, then we may need to throw out some different baggage. Maybe God does have expectations. Maybe God’s expectations don’t match our own. Maybe we don’t understand as much as we’d like, probably about anything.

So now what?

I think about my grandfather. Like many men of his generation, he had been disappointed by bank failures and limited opportunities. From time to time, he would wrap up some money, or put it in a Mason jar, and bury it for safekeeping. It was prudent. Given what he had seen in his lifetime, it was even wise. If he left the money buried long enough, though, there was the danger that he would forget where he put it. Instead of keeping it safe, he might have lost it for good.

We need to get out our shovels and start digging. How’s that for a Gospel message? If we start growing into the people we can be, we’ll have no cause to worry about God’s expectations of us. Never mind the sweet by and by. Get digging, and the kingdom of heaven is Diggingalready within us.

Maybe our jars don’t hold as much talent as some others.So what—better a small talent that is used than a great one left buried. Regardless of God’s expectations, we will become better people, and those around us will enjoy richer lives, if we go ahead and use the talents we have, great or small. It is true, and it makes our lives better, whether or not we believe in God—an ironic insight from the Gospel.

And Matthew’s story?

We have encountered an image of God that makes us uneasy, but complacency with God would be dangerous. A God that we made up would always meet our expectations, but that would not be a God worth a second thought. Matthew tells us that the God whom we did not make will not always meet our expectations. This is a God who acts in unanticipated ways, at unexpected moments, unbound by our religious rules.

Buried talents and made up gods are safe. An applied talent and a live God are not safe—either one may turn out in ways we do not anticipate, with results we have not dreamed. Start digging.

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Photos by Granny™

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God Doesn’t Talk to Me

God doesn’t talk to me. At least, not in ways that are distinguishable from the voices of conscience, or reason, or empathy, or indignation, or anger, or love.

So do I believe in God?

I think sometimes that I have lost my faith and that I would be happier, that my inner dialogue would be simpler, if I eschewed the supernatural in favor of the natural, if I dropped faith in God and embraced a life approach centered in reason and the scientific method.

SurfAnd then I find myself talking to God. Praying. Having one sided conversations. Short whispered statements. Expletives. The sorts of things that one is presumably not supposed to say to God. If there is a God. Still, so long as I keep talking, praying, whispering, muttering to God, I must suppose that I have faith, that I am conversing with someone other than me. Suddenly, faith appears much more like mental illness than I am comfortable contemplating, but there it is.

Faith. Science. Mental illness.

When I hear about evolution and biology and the meditations of astrophysicists (and listening to Stephen Hawking describe black holes is pretty close to a spiritual exercise,) I embrace all of it. It is wonderful. It is inspiring. It makes perfect sense. And it still falls short somehow.Running on Beach

Let me explain. Take the story of Noah and the ark, or the two creation stories that open the book of Genesis. Do I believe these stories literally? Of course not. These stories are myths, in the very best sense of the word: stories that are imbued with truth about our lives. A story need not be true to convey truth. The creation cycle of Genesis? Everything came to be, all at once and then over time, evolving more or less in the same order that scientific theories have conjectured, an interesting thing in itself. The expulsion from the Garden of Eden? That story captures the moment when humanity became human: self aware, understanding the consequence of choice, realizing the mantle of moral responsibility for the world around us, a responsibility we carry simply by weight of being in the world. We learned that we would work and we would have children, and sometimes both would be hard and painful, but we would do these things anyway because our work and our children are what we leave behind us when we are gone. Our work and our children mark our passage, our having been here. They make our lives worthwhile.

MalachiSo do I believe the Bible? Yes. Clearly not in the same way that many people choose to understand it, but yes.

When I look at the world and listen to the science that explains it, I still feel that there is something overlooked, something unexplained, something missing. Science can explain to me how my dog came to exist, with his size and features and inclination to co-exist with me. Science does not explain why I love him, or why he loves me. Yes, I say that I love him, and it remains a matter of observation and of faith or self-delusion that he loves me. Still, at the end of our science, there is something else that makes us what we are. Each of us. All of us. Everything that is.

There is a gap between our knowledge and our universe. Right now, I fill that gap with faith. It is the God-gap, the missing spark that changes biology into living, chemistry into love. One day, our science may grow to the point that there is no gap, no way to distinguish what once were matters of faith and matters of empirical truth. On that day, I suspect that we will find that faith and science will have come full circle so that there is no difference between the purview of the one and the findings of the other.

Meanwhile, I am still talking to God. And no, God still does not talk back. That may make me a fool, or delusional, or it may make me a person of faith. It may simply make me human. Whatever it makes me, I will take it, and I will still look for that spark that separates being alive from merely living.

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God by Lamplight

God by Lamplight  |  Matthew 25:1-13

Ten maids there were. Five of them were foolish, and five were wise.

As stories go, it is a wonderful beginning. We hear these lines and know that the story might go anywhere. It is as though this is a Jesus version of Once Upon a Time. As with all great fairy tales, we do not think this is a true story, but we do believe that the story is made of truth. Anything might happen, anything at all, but we know that nothing good will come to the five foolish girls.

Most Christians hear this story, or the others like it, and think that it is about something called the Second Coming, the return of Jesus, the moment that evangelical Christians point to as the future and hope of humankind. They are probably right.

What if that isn’t the point, though? What if this story is about something different?

Let’s put it another way. How about the Trinity? Given much thought to the Triune expression of God as Father and Son and Spirit? Ever tried to explain it to a third grader? Ever tried to explain iThreeDuckst to a grownup?

What am I talking about?

Suppose we work with the basic notion of God the Father, the pre-existent Other-That-Is-God, before and after and beyond us—the aspect or expression of God that is untouchable, unknowable, unapproachable. And suppose that we consider God the Spirit, the expression of God who is or can be everywhere, at any time, within and behind and around and through everything everywhere, all the time. And, of course, there is God the Son, who as the incarnate Christ was fully God and fully human.

All three aspects are God. All the time. Everywhere. So what makes us think—in the Kingdom of the Triune God—that we are only waiting and watching for Jesus? How about the Father? How about the Spirit?

Might not God the Father break into our lives? Certainly Moses would argue that it might happen. Might not God the Spirit blow across our lives? Certainly Elijah would say so.

Jesus promised his followers that he would return, that is plain. The manner and timing and form of his return was left less clear.

When the five wise maids take their lamps and flasks of oil to go and wait for the bridegroom to arrive, they don’t know how long they might have to wait. (Even these wise ones fall asleep—a word of hope for us.) Why were they wise? They were prepared to see.

We seem to insist that God appear to us in the form we expect. In that, we act as though we have never read the scriptures. In all of those stories, when did God ever do anything the way anyone expected? Why do we think that this surprising God will appear in our lives in the form and in the way that we are expecting?

WatchingIf we open our eyes to see, we might be amazed at how often God appears, and in what forms. Today, God may have shown up as a child wanting a smile. Yesterday, we might have lost our temper with God when we thought we were only speaking to a waitress, as if anyone were ever only anything. Tomorrow, the Spirit might burst into our lives by way of a job, an illness, a flood, a gift, a stranger or a friend, and we will not see because God has not met our paltry and limited expectations of how, when and where God is supposed to appear, or how often, or to whom.

Once upon a time there were God the Father, God the Spirit, and God the Son. And with that beginning, anything might happen. Anything at all. Anywhere. Anytime. To any of us. Whether we are prepared to see or not.

Beasts of Burdens

Beasts of Burdens  |  Matthew 23:1-12

When Jesus finished the tirade that fills this chapter of Matthew, you can almost imagine him walking out of the temple to the sound of the Rolling Stones’ “Beast of Burden”.

Ok, almost.Lioness

It takes little imagination to understand that this is a tirade, though. The entire chapter is one long unrelenting indictment. Jesus declares no less than seven ‘woes’ upon the religious leaders for the burdens that their expectations lay upon the faithful.

If you have been around churches (or, I expect, synagogues, or temples of almost any established faith) for any length of time, then you know what Jesus was talking about. You will also have come to expect the usual twist in the exploration of such a passage—that we are invited to apply Jesus’ words to our own hearts, to our own expectations of those around us, and to the unwanted, unfair and unbearable burdens that our expectations place upon them.

Only slightly less anticipated is the interpretation that we should examine our own expectations of ourselves. We not only try to carry the unnecessary burdens of meeting the expectations of other people, but we also stumble under the weight of our own self-criticism, collapse under the burden of our self-expectations, and go wobbly-legged from the unmerited idea that we have no intrinsic worth, value, or strength.

There is one over-arching trajectory to be found in Jewish and Christian scripture, and that is the movement of God toward humanity. From the Old Testament images of God as smoke and fire, untouchable, unfaceable, and unknowable, to the Christian revelation of the physical incarnation of God in the person of Jesus the Christ, Messiah, the only unwavering message is one of God loving, valuing, treasuring, restoring, and redeeming all of humanity, each one of the teeming crowd of humanity, and all that we have touched and that has touched us.

Horses on the hill

So let’s consider Jesus’ tirade from the point of view that it could apply to our cruel criticisms of other people, our unrealistic expectations of the people around us. There’s a lot to learn from that exercise. And let’s consider Jesus’ tirade from the point of view that it could apply to our own inner dialogue, the cruel criticisms and unrealistic expectations that we lay on our ourselves. There is a lot to unpack right there, and all of it is useful.

While we’re at it, let’s also consider the possibility—the slight, often overlooked possibility—that Jesus was yelling at precisely the people he meant to yell at. Maybe, just maybe, we ought to allow the Messiah, God incarnate, that much credit. God yelled at whom God wished to yell: the leaders, the teachers, the people with credentials. People like me who presumed to say something about faith. The people who claimed to know something about God. The people in charge.

Jesus is saying we should question authority. What? Did you think they thought that stuff up in the 1960s? There is nothing new under the sun. (Wait, did someone already say that?)

We get to question the people who claim to teach us and those people who presume to preach to us. In particular, we need to question the teachings of anyone who doesn’t like our questions. The ones who are worth listening to are the ones who will welcome your questions, even your differing views.

Matthew portrays Jesus, just prior to embarking on this scathing criticism of the religious leaders gathered around him, sharing the greatest commandment. “You shall love the Lord your God with all your heart, and with all your soul, and with all your mind.” That is not blind faith. It is open minded exploration. It is bare souled honesty. It is walking toward God with eyes wide open. It is tossing out all of the things we thought we knew about God in order to know God. It is realizing that our preconceived notions of God are rubbish. It is realizing that if God is real, if anything we understand about God is at all true, then this is a God who already knows more bad things about each and all of us than we ourselves realize or can admit, and yet who keeps loving us.

Relentless. That is what God’s love is. Relentless. Interminable. Unceasing. Tireless. Endless. Ruthless. And therefore it is also unfathomable. Incomprehensible.

Question anybody who leaves you wondering what you might do to get God to love you. There isn’t anything you can do. It is not about what we do. It’s about Who God Is.

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A Ghost Story

For Halloween, here’s a short ghost story.

A Ghost Story

Henry liked the sound small rocks made when he dropped them into the well. It had been there for a very long time, this well, with a stone wall encircling the opening and stone half walls on three sides to form a shelter around it. Finding pebbles and chips of stone to drop into the water was easy.
He never dropped many stones at a time, though. It seemed to Henry that were he to keep dropping the stones, one day he would fill the well, and he knew that everyone in the great house needed the water that the well provided. His father had told him so. The well was deep, reaching down to a river of water below the rock of the mountainside. There were not often wells on mountains. His father had told him that, too. Henry imagined that some of his stones were washed along under the earth, carried down to the sea in a river that never rose above the ground.
The great house was his home. They had come to the castle when Henry was very small, and he had explored every part of it, but he enjoyed being out here more. Every day he climbed the wooden beams of the shelter over the well and clambered out onto the slate roof. The house was enormous, and there were stairs and hiding places, but nothing compared to sitting on the roof of the well and looking down over the valley that stretched away below. If it rained, Henry needed only to slip under the shelter and listen to the raindrops landing on the slate tiles above him.
He was standing by the well itself, looking down into the dark circle that was like an eye in the face of the mountain. It watched him, not unkindly, as he weighed two small stones in his hands, trying to decide which one to drop first. Something moved, and Henry turned to see a girl walking toward the well. She was about his age. A wooden bucket was in her hand.
“Hello,” he said. She stopped a few feet away and watched him. Her skin was pale, made even more so by her dark eyes and hair. Henry remembered seeing her on other nights, coming here to draw water for the kitchen. She was quiet, much more quiet that the other people who came. Henry had not even heard her footsteps. He could not remember her voice, but he was sure that she had come to his well on other nights.
“Hello,” she said. Her voice was a little more than a whisper. Her clothes were clean, always clean, he thought. He had not learned her name, or could not remember it, which bothered him.
Henry glanced at her empty pail. He turned and took hold of the well bucket and let it fall into the water. They heard the splash far below, hushed by the stones. The girl stepped up to the stone wall beside him, and they both looked down into the dark circle although there was nothing to see but the rope trailing down until it disappeared in the blackness. The well was so deep that one could only see the circle of the water at midday when the most light found its way into the opening. With only the moonlight, there was no chance at all. If you fell in now, in the dark, there would be nothing but blackness at the bottom and the cold water flowing under the mountain. They watched together anyway, as though the light might change, and after a few moments Henry began to turn the winch handle.
The rope came taut, and he put more effort into winding the rope and raising the bucket. Neither of them spoke. He realized that they seldom spoke, and he wondered how long it had been since he last saw her. The night before? Longer? And he could not recall their words.
It was not that he did not wish to speak to her. He did. He could tell by the way that she stood by him, near enough that he could reach over and touch her, that she did not mislike him. When the bucket reaches the top, he thought, I will ask for her name. It is only courteous, after all, so surely she would not take it amiss, he told himself.
He could see the top of the bucket now. A few more turns of the winch and he reached out and pulled the water bucket to rest on the stone ledge. He knew that the girl was watching him.
“Henry,” he said. “My name is Henry. I mean, I just realized that I don’t even know your name. Mine is Henry.”
It was difficult to see her face in the moonlight. It seemed to him that it was always hard to see her, but that must be because they always met at night. They had always met at night, hadn’t they? Henry could not remember seeing her in the day. Perhaps she works at night. They must have cooks to work in the night, keeping the kitchen fire going and kneading bread for the next morning, that sort of thing. He did not often go to the kitchens.
“What is your name?” he asked. For a moment he thought that he had frightened her. He could see it in the way her eyes widened, and it seemed that she would turn to go. She didn’t, but she held tightly to her pail with both hands.
“Marguerite,” she said, her voice no louder than it had been before. “But you may call me Maggie. It is what people call me.”
“Alright, said Henry. Then, not knowing what else he might say, he reached out and took her pail. Her skin was so white that he could almost see the handle of the pail through her skin. “Here, let’s get you some water.”
Her put her pail on the stone wall that went around the mouth of the well, being careful that it did not tip over into the opening. The water sounded cool as he poured it from the well bucket. When the pail was full, Henry took the ladle that was always left hanging on the winch post and offered a drink of the cool water to Marguerite. The water shone in the moonlight, but she did not taste it.
“Thank you,” she whispered, “but I am not thirsty.”
Henry looked at the water and the way it swirled in the ladle. “Neither am I,” he said, and he poured the water back into the well. As the last of the water was pouring out, he lifted the ladle high in the air and brought it down again, once, twice, three times, so that the water looped on itself in the air before falling down into the shaft with a distant splash. Both of them laughed, more amused than seemed possible by the simple splash of water.
As Henry turned to place the ladle back on its hook, he noticed a man walking with a boy through the courtyard. The man had not glanced at Henry and Marguerite, but the boy was looking at them. Henry waved, wondering who the boy might be and whether he could play with them, but the father was leading him into the great house. The boy did not wave but only stared at the the well.
“Bedtime for you, my boy,” the father was saying. “We can see more stars tomorrow evening.”
The boy said nothing. Just before they entered the main hall of the castle he turned to look at them once more, and then he vanished inside. The great door closed and the light that had poured out onto the paving stones was gone.
“Where does the light go?” It was just a whisper in the night. Henry realized that Maggie was still beside him. She pointed to where the light had poured from the open door. “Water would still be puddled on the stones,” she said. “Where does the light go?”
“I don’t know,” said Henry. “I never wondered that before.”
Henry stepped out from under the roof of the well and looked up into the sky. The stars and moon filled the sky except for where the castle blocked his view.
“You should not look at them,” said Marguerite, beside him again.
“What?” asked Henry. “Why not?”
“People look at the stars, and then they rise and are gone,” she whispered. “You must keep your eyes on the place you wish to stay.”
Henry looked at her, then he smiled. “You are teasing me,” he said. “No matter. Here, I will help you with your pail.”
He stepped back under the slate roof to the well and lifted her pail. Walking toward the great house, he saw that Marguerite lingered. He held out his other hand.
“Come on, Maggie,” he said. “I don’t bite, and you will help to balance me out against the water.”
She lifted her hand and placed it in his. It did not feel like Henry had thought it might, but then he had never held hands with a girl before this night. He was surprised at how the idea had come to him, as though he offered his hand to ladies all the time. Maggie’s hand was not like he remembered his mother’s hands being. Maggie’s hand was soft, like the softness of his favorite blanket when he was little, but not so warm as his blanket. He could have been holding a handful of damp cotton or a part of a cloud, but what did it matter? Maggie could be his friend now, and Henry had few of those. None, he realized.
“Will you be my friend, Maggie?” he asked as they walked toward the house. “I can come and help you fetch your water every evening, and we can play around the well and tell each other stories.”
For a few steps the girl said nothing, but then she answered. “Yes, I would like that. I will bring the pail, and we can fetch the water each night.”
Her voice was as quiet and soft as her hand, but Henry thought that both were firmer now. Still her hand remained as cold as the water and the night air.
Henry pushed open the door to the castle. The entire structure was built of stone and wood, with wooden floors and great fireplaces in the large rooms that flanked the entrance. There was light in the hall, much more light than the moon had given them, and Henry saw that Marguerite’s clothes seemed grayer and softer in the house light than they had under the moon.
“We are going to the kitchen?” he asked.
“Yes,” said Marguerite. “We can go this way.”
They went along a hallway wide enough for them to walk together, Henry carrying the pail on one side and holding Marguerite’s hand on the other. They met no one. It was late, and Henry supposed that the rest of the people in the household had retired for the evening. That was how his father had always said it, that it was time to retire for the evening. He remembered that he had not seen his father and wondered where he might be.
Ahead they heard voices and the sounds of kitchen work, knives chopping and the rattle of pans. They walked in, Marguerite leading the way to a large trestle table where a woman stood kneading bread. The woman did not even glance at them, which suited Henry fine. He put the pail of water on the end of the table where Marguerite pointed, and they walked back toward the kitchen doorway still holding hands. They paused, Marguerite holding back a little, and Henry looked down and shuffled the toe of one boot across the stone floor where it left a wet mark. His clothes were damp. He supposed that he must have spilled the water when he poured it, though it did not seem that he had. Marguerite still held back holding to his hand, and he knew that she would need to remain in the kitchen for her work.
“Bless my soul,” came a voice near the table. They looked back to see the woman who had been kneading bread. She was standing away from the table, one floured hand held to her chest like a ghost. With her other hand she was pointing at the pail.
“See that,” she said. “It’s that girl, she’s brought the water again in her pail.”
Henry looked around to see two other women walking over from their tasks. He had not seen them earlier. He had been following Marguerite’s lead and taking care not to spill the water.
The three cooks stood together, back from the table, and they looked up from the water pail to gaze around the kitchen. It seemed to Henry that the women looked straight at Marguerite, but they did not notice her or speak to her. Perhaps they are looking for someone else, he thought. After all, he and Marguerite were young, and grownups seemed seldom to take notice of children.
“It may be as we should use the water,” said the youngest of the women, though her hair was already as white as the first woman’s floured hand. “The child brings it to us, perchance we should use it.”
“I would not,” said the third woman. She was the oldest of them, and Henry saw her glance at Marguerite and at him as she spoke. “Let it be, since she brings it, but do not use it to cook or pour it to drink. Leave it for those as brought it. Come morning it will be gone.”
Henry thought her words were odd.
“Why will they not use the water?” he asked.
Marguerite only smiled and squeezed his hand. It felt as though he were touching the soft wool of a sheep, cool and damp from having been under the moonlight all night. She leaned forward and kissed Henry on his cheek.
“Thank you,” she said, her voice a little stronger than it had been beside the well.
“We are friends, then,” said Henry.
“Yes.”
“Tomorrow evening, come to find me by the well. Bring your pail, and we shall fill it and bring it once again, whether these ladies like the water from the well or not. It is great fun.”
“I will meet you,” she whispered. “At the well.” Then she took her hand from his, and with a small wave she turned to walk back into the kitchen. She did glance back at him. Henry had waited to see, then he turned and walked into the hallways of the old castle. He whistled to himself as he walked, and he stopped at one of the great fireplaces to enjoy the warmth. There was little heat from the fire, he found, and he remembered how his father always said these old castles were open and drafty. Though they were made of stone, the walls may as well be dry leaves for all the cold they kept out. The heat must be going up the chimney, he thought. It may be that the moon will get some warmth from it.Moonlight_Clouds_wide

Then he remembered that he had not asked Marguerite where she stayed. She might have a room in the servants’ hall of the castle, or perhaps she lived in the village below. They could play in the morning when her work was done, he thought. It would be warmer than in the moonlight, and they would be able to see the water at the bottom of the well, though it made him uneasy to think of it.
When he reached the kitchen, Henry was astonished. The women were gone, and their cooking fire was out. Even the ashes were cold. There was no sign of the bread they had been making for the morning, no pans or pots out on the tables. Marguerite herself was nowhere to be seen.
“Maggie?” he called. “Maggie, where are you?” There was no answer, but her pail was still placed on the trestle table. Henry peered inside, but it was empty.
“They found a use for her water after all,” he said aloud, to no one. The old women must have been teasing her, he thought, though it did not seem very amusing to him. He did not understand how everyone could have vanished in such a short time, with even the fire burned down to ash.
“I must have lingered longer than I knew,” he said. His voice was like Marguerite’s whisper in the huge kitchen. “Father always tells me I stay so long by the well that he fears I will fall in.”
He wandered through the kitchen, touching the spoons that hung on the wall, letting his hand run along the edge of the tables. At the window he saw that there was a pale grey light, and Henry realized that it was nearly sunrise.
“I have been up all night again,” he said, once more whispering aloud to himself. He turned and walked out of the kitchen, back along the hallways to the main rooms of the great house. He followed a stairway up to where the sleeping chambers were found.
Some of the halls were bare, he noticed, as though no longer used, doors drawn shut against the cold. There were not so many people living here as when his father ran the castle, it seemed to Henry. This part of the house, though, did seem to have more life to it, more signs of people. In the hallway that led to his room he saw that someone had placed fresh flowers on a table. He touched them, and a petal fell away.
Henry stopped. Something small and furry was staring up at him from the floor where it joined the wall. It was a stuffed animal, he realized, a small bear. Henry picked it up, wondering where the child might be who dropped it. The fur was much warmer than Maggie’s hand, he noticed, but then this bear had not been out drawing water from the well in the moonlight. Perhaps it had fallen from the table.
He took the bear and walked down the hallway to his room. When they had come to live here, his father had let Henry pick out any room he liked in the entire castle to be his own, and he had picked this one. From the window he could see the well in the courtyard below and the village beyond it. Everyone who came and went had to enter the courtyard through the gate in the wall, and Henry could see them all. He had his own fireplace, room for all of his things, and a sleeping space in an alcove in the wall.
When he entered his room, Henry was surprised to find that a young boy was sleeping on the bed, in Henry’s alcove. He stood for a few moments and watched the boy sleep. Henry knew that he should be angry that someone had taken his bed, but he did not feel angry, and the boy was so small. No, Henry decided that perhaps the boy was new and had been afraid, and this was the best place in the castle to sleep after all. Besides, Henry had met a new friend at the well tonight, Maggie, and he was not going to let anything spoil that.
Remembering that he was still holding the stuffed bear, Henry realized that the toy must belong to this child. A toy wolf and fox were in the alcove with him. Perhaps the bear had been left to guard the passageway? Henry stepped over to the alcove and placed the bear next to the sleeping child and pulled the covers up to the boy’s chin. Henry remembered being cold when he was that small, especially when the fire had burned low in the night.
The light coming in the window was a little brighter now. The sun had not risen, not in the valley, but daylight was already creeping over the hillsides to lighten the windows of the castle. Henry stood looking at the light reaching the highest treetops and roofs. Yawning, he turned and looked again at the child sleeping in his alcove. Henry let him sleep, and instead lay down on the soft rug in front of the fireplace.
Something hard and sharp pressed into Henry’s back. He felt underneath the rug and found a small red thing, shaped like a tiny brick with small raised circles on the top. Looking around the room, he saw piles of the tiny bricks of different shapes and colors, making strange machines. There was even a toy castle made entirely of the same pieces.
Henry reached over and put the tiny red brick on top of the castle gate. Small holes on the bottom of the little box fit neatly onto the circles of the bricks beneath.
I will bring Maggie here tomorrow, he thought, and show her this castle. There were plenty of other bricks, and they could build a well like the one where he played, with walls and a roof, where one could draw up water in the moonlight. It was Henry’s room after all, and this boy would not mind.
Thinking about the well and the cold water and Marguerite, Henry lay back down on the rug and slept.
A little while later, as morning was just beginning to brighten the walls of the room, the boy sleeping in the alcove woke up. He found his bear beside him, and he rose on an elbow to look at it. He was sure it had not been here when he had gotten into bed. Looking around, he saw another boy, a little older and dressed all in grey, asleep on the rug by the fireplace. It was the boy from the well, he knew, the one he had seen when his father had brought him inside from gazing at the stars.
The morning sun poured into the room, the light flowing across the floor. The young boy in the alcove sat up with his bear and watched the sunlight wash across the rug. The shadows faded, and then he was alone with his animals. The rug was damp where the other boy had been sleeping.
“Perhaps he will come back tonight, and we can finish the castle,” he said to the bear. He saw the red brick on top of his castle gate, and he knew that the other boy had put it there. And he did not mind.
He did not mind at all.

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